Wednesday, 11 November 2009
Today I am having a last run through the proofs of The Dead of Winter. I am reading the book out loud like a madman in my office. I have said - many times - that this is the only way I know to catch those stupid clanging errors or ugly phrases that make you want to pull your own head off and do keepy-uppies with it when you come to read it out loud on publication.
And I don't just read it like a speak-your-weight machine. That wouldn't work. I try to read it well, with all the intended drama and force. I feel I have to do this because, if I can't read it to sound as I would want it to sound, then I probably haven't written it like that either.
I would recommend this method for another reason. I think that when you read your work out loud it can surprise you. I find sad scenes that I have written difficult to read, for example. I know what's coming and yet I still get that flutter and catch in my voice.